Chelsea Haines is a historian of global modern and contemporary art and architecture. She is Assistant Professor of Art History & Museum Studies at the Herberger Institute for Design and the Arts at Arizona State University. Her research focuses on histories and theories of museums, exhibitions, and the politics of display, with a specialization in Israel-Palestine. She received a Ph.D. in Art History from The Graduate Center, City University of New York in 2020. Her current book project explores the role of art exhibitions in Israeli nation-building from the founding of the state in 1948 to the establishment of the Israel Museum in Jerusalem in 1965. Chelsea’s research has been supported by a Fulbright Fellowship, a New York Public Humanities Fellowship, and a Presidential Research Fellowship at The Center for the Humanities at The Graduate Center.
Publications
BOOK CHAPTERS
“Messianic Affinities: Tali Keren’s The Great Seal and Un-Charting” in Imagined Israel(s): Projections of the Jewish State in the Arts, ed. Rocco Giansante and Luna Goldberg (Leiden: Brill Publishers, 2023).
“Universal Civilization and National Cultures: Producing Israel at the Venice Biennale, 1948–1952,” in Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design from 1945, ed. Harriet Atkinson, Verity Clarkson, and Sarah Lichtman (London: Bloomsbury Academic, 2022).
“The Distant Image,” in Assuming Boycott: Resistance, Agency, and Cultural Production, ed. Kareem Estefan, Carin Kuoni, and Laura Raicovich (New York: OR Books, 2017).
JOURNAL ARTICLES
“Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953,” Exhibiting the Holocaust in the Immediate Postwar Period: Histories, Practices, and Politics, ed. Rachel Perry and Agata Pietrasik. Special issue of The Journal of Holocaust Research (Summer 2023).
“Editors’ Introduction” (with Gemma Sharpe), Art, Institutions, and Internationalism, 1945–1973. Special issue of ARTMargins 8, no 2 (Summer 2019).
“A New State of the Arts: Developing the Biennial Model as Ethical Arts Practice,” New Directions in Museum Ethics. Special issue of Museum Management & Curatorship 26, no. 2 (Spring 2011).
EXHIBITION CATALOGUES
“Second Nature,” in Second Nature (New York: Parsons The New School for Design, 2017).
“Hidden in Plain Sight,” in Dor Guez: The Sick Man of Europe (Jerusalem: The Museum for Islamic Art, 2017).
“Seeking Agency in Repetition: X90’s Copy as Original,” in Mono Schwarz-Kogelnik (New York: ISCP, 2013).
BOOK REVIEWS
Review of Belonging and Betrayal: How Jews Made the Art World Modern and House of Fragile Things: Jewish Art Collectors and the Fall of France, Art in America (March 2022).
Review of Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity, Journal of Curatorial Studies 10, no. 1 (Spring 2021).
Review of Museum Diplomacy: Transnational Public History and the U.S. Department of State, Collections: A Journal for Museum and Archive Professionals 16, no. 4 (Winter 2020).
Review of Exhibition as Social Intervention: ‘Culture in Action’ 1993, Journal of Curatorial Studies 4, no. 1 (Spring 2015).
CONFERENCE REVIEWS
Review of Exhibition as Medium, Journal of Curatorial Studies 2, no. 2 (Winter 2013).
EDITING
Co-Editor (with Gemma Sharpe). Art, Institutions, and Internationalism, 1945–1973. Special issue of ARTMargins 8, no 2 (Summer 2019).
Art Editor. Guernica: A Magazine of Art and Politics, guernicamag.com, 2014–2015.
Co-Editor (with Carin Kuoni). Entry Points: The Vera List Center Field Guide on Art and Social Justice (Durham, NC: Duke University Press, 2015).
Senior Editor. The Exhibitionist: A Journal on Exhibition-Making, Issues 7-8, 2013–2014.
Assistant Editor. The Exhibitionist: A Journal on Exhibition-Making, Issues 5-6, 2012.
EXHIBITION REVIEWS
“At the Venice Biennale, a Border-Defying Yiddishland Pavilion,” Hyperallergic, July 10, 2022.
“Exhibiting the Afterlives of Looted Art,” Hyperallergic, October 25, 2021.
“Zineb Sedira,” artforum.com, October 20, 2021.
“Tamir Zadok,” artforum.com, November 8, 2017.
“The Unmaking of Art,” artforum.com, December 20, 2014.
“Charles Gaines,” artforum.com, August 17, 2014.
“Days of the Commune,” artforum.com, August 6, 2014.
“Confidence Building Measures,” artforum.com, July 6, 2014.
“13 Most Wanted Men,” artforum.com, May 18, 2014.
“Leigh Ledare,” artforum.com, April 17, 2014.
“Laure Prouvost,” artforum.com, February 28, 2014.
“Alien She,” artforum.com, January 13, 2014.
“Descartes Daughter,” artforum.com, October 24, 2013.
INTERVIEWS
“The Whole Earth Show Revisited: Interview with Jean-Hubert Martin,” Mousse 44, June 2014.
“Managing Impossibility: Interview with A.L. Steiner,” Mousse 43, March 2014.
“More Problems? Interview with Joshua Decter,” Guernica, December 16, 2013.
“History Repeating: Interview with Lucien Smith,” Mousse 40, October 2013.
ART CRITICISM
“Picturing the Holy Land,” Art in America, December 2022.
“Between You and Me,” Guernica, December 2013.
“Exhibitions on Exhibitions,” Mousse 39, June 2013.
“Progress is Everyone’s Business,” Mousse 31, December 2011.
SELECTED PRESS
Bad at Sports, Episode 489: Chelsea Haines (2015)
Temporary Art Review, FLIGHT PATTERN 3e: Chelsea Haines (2015)
Talks
CONFERENCE PRESENTATIONS
“Mapping Refugee Modernisms.” Paper presented at Understanding Displacement in Visual Art, University of Manchester, United Kingdom, October 24, 2023.
“Mediterraneanism under Pressure: The Geopolitics of yam tikhoniut.” Paper presented at Decentering Art and Design History: Research, Practice, Education, University of Nicosia, Cyprus, June 16, 2023.
“Mapping Refugee Modernism(s).” Paper presented at Relocating Views on Global Art, College Art Association Annual Conference, New York, February 16, 2023.
“Zionism in Translation: Israeli Art in Western Europe, 1954-55.” Paper presented at National Identity and Exhibition Histories conference, University of Leicester and University of Warwick, January 14, 2023.
“Zionism in Translation: Israeli Art in Western Europe, 1954-55.” Paper presented at The Global Rise of Traveling Exhibitions at Mid-Century, 109th College Art Association Conference, Chicago, March 4, 2022.
“Transatlantic Solidarities: Gershon Knispel in Brazil.” Paper presented at the 19th Latin American Jewish Studies International Research Conference. Virtual, June 28, 2021.
“Redrawing the Mediterranean: Dora Gad’s yam tikhoniut.” Paper presented at Coastal Landscapes and the Politics of Leisure in the Global Sunbelt, 74th Society of Architectural Historians Annual Conference. Virtual, April 18, 2021.
“Visualizing the ‘Old New Land’: Modernism, Zionism, and Exhibition Culture.” Paper presented at Unsettling Visual Culture, 107th College Art Association Conference, Chicago, February 12, 2020.
“Naftali Bezem Inside and Outside the Green Line.” Paper presented at (De)Constructing Walls, Association for Art History Conference, London, April 7, 2018.
“Modern Art, National Politics: Israeli Art in Venice, 1948–1952.” Paper presented at Beyond Boundaries: Art and Design Exhibitions as Transnational Exchange from 1945, 105th College Art Association Conference. New York, February 17, 2017.
“From Collection to Archive, One Scan at a Time: Dor Guez’s Christian Palestinian Archive Project.” Paper presented at Troubled Contemporary Art Practices in the Middle East, University of Nicosia, Cyprus, June 3, 2016.
“Site-Specificity as Curatorial Strategy at the Museum of Modern Art, 1967–1973.” Paper presented at the American Studies Graduate Conference, St. Louis University, October 11, 2014.
“Civic Arena: Reconsidering exhibitions and their histories following the Arab Spring.” Paper presented at Acts of Dissent: Reflections on Art and Politics in the 21st Century, 102nd Annual College Art Association Conference, Chicago, February 13, 2014.
“What Makes Paint Political?” Paper presented at New Sensibility, School of Visual Arts Critical Information Conference, New York, December 8, 2013.
CONFERENCES AND PANELS CONVENED
“Migratory Modernisms: Race, Ethnicity, and Twentieth-Century Jewish Art of Latin America” (with Abigail Lapin-Dardashti), College Art Association Annual Conference, Chicago, February 14, 2024.
“Art, Institutions, and Internationalism, 1933–1966” (with Gemma Sharpe), The Graduate Center and the Museum of Modern Art, New York, March 7-8, 2017.
“Exhibit A: Authorship on Display” (with Natalie Musteata and Grant Johnson), The Graduate Center, April 7, 2014.
GUEST LECTURES AND INVITED TALKS
Guest Lecture, “Redrawing the Mediterranean: Dora Gad’s yam tikhoniut,” Center for Jewish Studies, University of California, Irvine, May 18, 2022.
Guest Lecture, “Exhibiting the Holocaust: Traumatic Realism and Exhibition Design in Israel,” Art, Trauma, and Museums, Arizona State University, March 29, 2022.
Co-Chair, “Making the Future Museum We Want: Museum Studies in Conversation with Museums,” American Alliance of Museums, Museum Studies Network, virtual event, October 28, 2020.
Guest Lecture, “Modern Architecture in the Middle East,” Survey of World Architecture, Spitzer School of Architecture, City College, March 27, 2019.
Discussant, “The Sick Man of Europe: The Architect,” Screening and discussion with Dor Guez, Institute of Contemporary Arts London, April 11, 2015.
Panelist, “Who is Silencing Whom? Censorship, Self-Censorship and Charlie Hebdo,” The New School, Theresa Lang Community & Student Center, February 23, 2015.
Moderator, “The Infiltrators,” The Graduate Center, CUNY, October 27, 2014.
Moderator, “RE-Establishing Shot,” Cabinet, Brooklyn, September 17, 2014.
Panelist, “What is good public art?” Shanghai Fine Arts Academy. September 15, 2014.
Discussant, Book launch for Joshua Decter's Art is A Problem, New York Public Library, April 23, 2014.
Panelist, “Conflict and the Rebel City,” Dorsky Gallery and Curatorial Program. Long Island City, October 21, 2012.
Moderator, “Cultural Introductions,” The Armory Show. New York, NY, March 8, 2012.
Dor Guez: The Sick Man of Europe
October 16, 2015–January 4, 2016
Museum of Contemporary Art Detroit
Solo exhibition of Dor Guez
Press: Hyperallergic
Peekskill Project 6
September 27–December 31, 2015
Peekskill, NY
Public art commissions with Karolina Bregula, Katya Grokhovsky, Maria Rapicavoli, and Megan Snowe
Sponsored by Hudson Valley MOCA
The City Rises/La cittá che sale
May 28–September 30, 2015
Bid Project Space, Milan
Group exhibition featuring Zoe Beloff, Katarina Burin, Ali Cherri, Dor Guez, Ahmet Ogüt, Valerio Rocco Orlando, and Amy Siegel
Theaster Gates: A Way of Working
September 16–October 15, 2013
Sheila C. Johnson Design Center, The New School
Solo exhibition of Theaster Gates
Co-curated with Carin Kuoni
Imaginary Friends
July 5–21, 2013
Interstate Projects, Brooklyn
Group exhibition featuring Zoe Beloff, Nanna Debois Buhl, Christoph Kelller, Nils Norman, Sreshta Rit Premnath, and Slobodan Stosic
The Lovasik Estate Sale
October 1–December 31, 2012
9th Shanghai Biennial
Solo exhibition featuring new commission by Jon Rubin
Sponsored by the Andy Warhol Museum, Pittsburgh